They just don't write stories like this anymore, and that's a shame. It wasn't as flashy as the rest in fact, this was downright old fashioned in its approach. After having seen all the films that were nominated by the Academy for best picture last year, I have to say that this was my personal favorite. He captures our admiration immediately, and despite his despicable act, we cannot help but pity him in the end. Lindo's bright smile and enthusiasm created a rock solid character with charm, strength and simple wisdom. Finally, I have the highest praise for Delroy Lindo as Mr. Caine's ability to span that range was remarkable. Larch was an extremely complex character egotistical, self-abusive, manipulative and recalcitrant, yet a saintly, self-sacrificing and loving crusader for the good of the children. His performance here was powerful and well deserving of the acclaim he received. He has long been one of my favorite actors. Michael Caine has had a legendary career spanning close to half a century. Besides her enchanting girl-next-door attractiveness, she showed terrific range in a character that at first seemed shallow, but later proved to be quite complex. Charlize Theron continues to impress me with her acting ability. Tobey Maguire infused Homer with the right combination of idealism, naiveté and inner strength to make him an unassuming but powerful lead. His work with the children in the orphanage was superb, bringing forth their innocence and enthusiasm without minimizing their plight. He gave the film an emotional depth and breadth that is difficult to achieve in two hours. Hallstrom took great care to do enough development of each character (often just visually without any dialogue) that he made us care for each of them. However, the greatest achievement for Hallstrom, working in concert with Irving, was to orchestrate a large cast in such a way that no character seemed insignificant. This motion picture was beautifully filmed with rich cinematography, breathtaking locations, and precise period props and costumes. In the featurette on the DVD, he said that when he goes to Blockbuster with his daughter and sees it on the shelf, he will have a feeling of pride and well he should. However, this film will certainly go down as his finest work. for his direction of What's Eating Gilbert Grape', Hallstrom has been making wonderful films in Europe for almost twenty years. From a filmmaking perspective, we could not have asked more from Lasse Hallstrom. Although the story is excessively sentimental and fatalistic, it reminds us that life is complicated and doesn't always turn out the way we plan or hope. We come to have affection for almost all of them, and can identify with their tribulations. These are ordinary people struggling with problems we all face. If there is one thing that stands out about this story, it is its human realism. He revisits this theme repeatedly, with each character facing dilemmas regarding societal and personal rules that are difficult to reconcile in the given situations. Irving weaves a strong moral into this story that rules need to be questioned and that being human is not so easily codified. This was all accomplished without sacrificing the philosophical and emotional depth Irving imbues in all his works. This film was a comedy, a tragedy, a romance, a human-interest story, a character study, and a period piece, and each element was excellently done. Often, when a story attempts to cross genres so broadly, it fails from lack of depth or insufficiency of the writer or director to meet the variable demands of such a wide-ranging treatment. It is poignant, exhilarating, and astutely human in its scope, presenting a myriad of human emotions and experiences. John Irving's novel and adaptation is one of the most complete stories I can remember in many years. Nineteen ninety-nine was an outstanding year for adaptations of major literary works, but of all the great books that came to the screen last year, this is my favorite.
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